It's Good Friday, I have dinner for 16 to plan for on Sunday, and I've done absolutely nothing beyond making a list and pulling a few weeds in the yard. So I think it might be wise to simply post a few of these portraits by not-so-heralded Cecilia Beaux, contemporary of Sargent and just imagine some of these folks are on their way.

At left is Sita and Sirita, (1893). Who does she look like? I think the answer is Emily Blunt, at least around the eyes. Here's a close-up:













This is Ernesta (Child with Nurse) 1894:

Here below is the Last Days of Infancy (1883-85). The subjects are her sister and her nephew. If you do not have guests coming and/or are have a much tidier house, you might want to click on this Last Days link to read more about how this painting was entered in the Paris salon exhibition and led to the beginning of Beaux' international fame. (Doesn't Cassatt have a similarly posed portrait? Found it - see at the very bottom, it's Little Girl in a Blue Armchair, 1878.)


An entirely different approach with Cassatt - maybe this is the after Easter relaxation pose:

"I can live alone and I love to work." Mary Cassatt

In the 1878 oil entitled Portrait of a Lady, Cassatt depicts her mother, in casual morning dress, reading Le Figaro. So what might have been in the paper that day? No Soduko, I guess. Judith Barter speculates in Mary Cassatt: Modern Woman.

The Cassatt family would have been well read and informed about current events. In Le Figaro, Mrs. Cassatt might have been learning about preparations underway for the International Congress of Women's Rights. This 1878 gathering was to focus on a range of issues under discussion at the time, including the status of the woman in society, her role in the family, as well as opportunities for education. Following the Congress, education was made free and compulsory for both sexes.

It is clear from other information about Mary Cassatt that she was an independent thinker who was comfortable speaking her mind. A few years after painting this, she was one of a handful of artists and writers (including Monet and Zola) who championed the cause of Capt. Alfred Dreyfus, wrongly accused of treason, but finally exonerated years later. (Incidentally, Degas took the opposite position during the whole affair.)

A painting of a woman reading the paper seems pretty quaint at the remove of 130 years. I still like it. I have not embarked upon a Kindle series, but maybe somehow else has. Here's one of my daughter reading The Penderwicks by Jeanne Birdsall before the Twilight series took over her life. It's another painting done over the top of one that didn't work out; I seem to have a lot of these.